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Christopher Hoffman brings a wide-ranging creative practice to The Grace Note, blending cello, composition, and improvisation into a singular live experience. Drawing from his solo work (REX) and collaborations across jazz, experimental music, and film—including with Henry Threadgill, Yoko Ono, and Martin Scorsese—Hoffman creates performances that feel both cinematic and immediate. His playing moves fluidly between structure and spontaneity, inviting listeners into a richly textured, deeply expressive sound world.
In The Grace Note
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